Can craft also be contemporary art? Mosey on down to Raven Row's latest exhibition and you'll be pleasantly surprised. Unto This Last pays homage to the esteemed John Ruskin whose writings inspired the Arts and Craft movement, as eight artists explore the role of craftsmanship in modern artworks.
All three floors of the beautiful eighteenth century building have been taken over by works like Isabelle Cornaro's Homonymes 2. Here animal figurines, tools and even the surface have all been cast in grey plaster. The combination of decorative and domestic objects aims to challenge our perspective of representation.
Isabelle Cornaro, Homonymes 2, 2010, Courtesy of the artist and Galerie Balice Hertling, Paris
There is also Sarah Brownes's Common Knowledge, featuring a series of individually framed flowers that have been pressed within the pages of sociology and philosophy books. By adopting the hobby made famous by Victorian ladies and referring to the traditionally male-dominated texts, the artist provokes a head-on interface between conceptualism and craft. And the most impressive work comes in the form of Dewar & Gicquel's giant clay hippopotamus, where if you look closely, you can find the artists' fingerprints and footmarks remaining visibly intact.
Dewar & Gicquel, Untitled, 2010, Courtesy of the artists and Galerie Loevenbruck, Paris
The overall effect is a real celebration of dexterity and getting your hands dirty, whilst also revealing how good craft can produce some really alluring art. Until This Last is showing at Raven Row until 25th July 2010.