We caught up with artist Lynnie Z about her exhibition at The Book Club, her plans for the year ahead and where her inspiration comes from.
Hi Lynnie, we loved seeing a glimpse into your studio space back in issue 38, what's changed? Are you still in the same space? We have since moved our studio to Peckham/South Bermondsey. I share a studio with Hattie Stewart, Sara Andreasson and Annu Kilpeläinen. These dream women make it a lovely place to be!
Do you think where you work is important? What does your desk look like? For me, I need to change it up quite a lot. I used to think this was a neurotic trait but actually I realise it’s a freeing privilege that fires my productivity.
I work between my home studio and my shared studio. With some projects I am energised by being in a collaborative environment, with other ones I crave the solitary mind flow, and I can find it immensely mediative working in my own space.
My desk is often messy, because it feels like the work’s never done! I tend to keep sketchbooks and pens out, ready for my return so I can just slip back in the same creative state – the invite is there! But the truth is I like to finish a drawing in one sitting.
Your latest exhibition at The Book Club gives a glimpses into your creative flow, so where's the starting point for each of your pieces? Where do your best ideas come from? Each day and night, working into this collection, I wanted to keep an uninhibited approach and let the drawings lead me into new and unusual places. A lot of this has to do with not thinking at all, which I imagine is trickier for everyone as the years go on. When work is created out of instinct, personally I find it to be the strongest. Whatever you have created has made its own journey and it feels like some sort of alchemy has taken place.
Sketchbooks have always been an integral part of my process, I love delving in and seeing all the ideas cooking up amongst each other. They’re always a great place to revisit with a fresh perspective
What can we expect from your exhibition? What's your favourite piece, or is it impossible to pick? I want the exhibition to be an intimate experience that displays the fluidity of the creative process in a joyous light that people can connect with. The work takes the form of bold paintings, stripped back ink drawings, experimental collages and large wall murals. I also got to collaborate with The Art of Ping Pong to create a customised ping pong table. I wanted to share a spectrum of my process and how I get from A to B as I think it’s a more relatable experience for whoever’s watching.
The collages are some of my favourite pieces. They serve as a bridge from loose ink work to my fuller bold work, constructing these visuals ideas into a plethora of possible outcomes. They also resemble the state of my desk or the energy of my sketchbooks.
Did you make any new year's resolutions? I think I aim for the same thing every year, just being more present, reaching higher and having endless fun.
What does 2019 have in store for you? Hopefully a ton of good surprises! There are a few exciting projects in store which I can’t wait to share. Other than that, I would like to get a good solid art residency in this year, the aim is to work in Greece for a month.